Posts Tagged radio commercial scripts

More Radio Commercial Scripts For The Holidays

Just what you wanted for Christmas: more wonderful holiday radio commercial scripts!

And I’m happy to oblige. In fact we’ve stepped up our copywriting services for this most wonderful time of the year.

To commence the festivities, we’ll turn to radio spots of Christmas Past and finish what we started last year by bringing Ebenezer Scrooge back for a sequel performance on behalf of Stonestown Shopping Center in Daly City, California.

In our last radio commercial script episode, Santa gave Scrooge some push-back on shutting down the holidays.

But Ebeneezer is circling back with another anti-joy ploy. How odd to be employed at Yuletide to channel the holiday’s most dedicated opponent for the purpose of driving more people to come, celebrate, spend–and give…

“Scrooge’s Christmas List”

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Next time, a modern Scrooge in uniform tries to dampen holiday shopping spirits…

Subscribe now and don’t miss out on the Xmas drear!

Author: Dan Goldstein

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More TV and Radio Ad Scripts Inspired by a Dull Tagline

The dead-weight tagline my client imposed was the gift that kept on giving this freelance copywriter more concepts.

My freelance client, Handy Andy, handed me the slogan, “Nobody but nobody sells for less.” In a previous post I described how the constraints of working with this burdensome line actually gave wing to quite decent concepts for radio and television commercial scripts.

I asked myself questions along the lines of:
Who could sell for less?

Well, a crook could sell for less. So I had fun scripting radio and TV spots dramatizing that.

I asked myself:
If nobody sells for less, how do other stores compete?

Here’s my answer:

When the client wanted concepts and copy for yet more television spots to drive home their promise, I asked myself:

Who doesn’t care that nobody sells for less?

The answer was someone who’s too dumb to understand the benefit or someone who’s just too rich to care.

So I scripted a spot set in a big box store where an actual dummy is shopping and runs into another customer who’s actually made out of money. Quite surreal. The bills were blooming out of the aristocrat’s shirt.  The dummy’s arm flew off when he proudly exclaimed he didn’t care about low prices.

The ads worked, so my client kept asking me to ask myself more questions, so I could turn around and script more commercials.

Since I was getting paid and the ads were working, I was happy to ask myself:
Who cares too much that nobody but nobody sells for less? 

Here’s some of the fun I had answering myself…

“Big Chill Anniversary Sale”

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“Happy Newscast”

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I could go on and on.

But you get the ear picture.

Author: Dan Goldstein

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Scripting a radio campaign within a radio campaign

I concepted and scripted television and radio advertising for a chain of TV and appliance stores called Handy Andy.

I’ll be sharing several of these commercials and their genesis over several posts.

The client’s basic promise and tagline, which I could not persuade them to rethink or reword, was “Nobody but nobody sells for less.”

In such situations, rising to the occasion means not just living with such a requirement, but breathing life into it.

So I retired to my concept couch to explore how the fact that ‘nobody sells for less’ could play out over several engaging and persuasive ads.

One way it could play would be that you’d have to be insane to buy from anyone else.

Another thought bubbled up.  There must be somebody who could sell these TVs and appliances for less…

Or, somebody could be so rich that the claim is meaningless…

Or one could be too dumb to care…

And just when I began to get self satisfied with all these directions, I shifted 180 degrees on my couch and realized I could have someone care too much.

Anything  but:

“Gee, your store really is the best store to go to.”

“Yup.”

“Thanks, Handy Andy!”

Each of these areas yielded more than one commercial.

And as these ads clustered around these creative directions, they seemed to form little campaigns within the larger campaign.

In the end, the dumb tagline became my friend by allowing me to have a few flavors of fun persuasion and still round all these radio and television commercials into a unified message.

As often happens, confinement became freedom.

This point about confinement seems particularly appropriate for this first mini-sub-radio campaign:advertising inspiration through restriction


“Bureau of Bewildered Persons”

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“National Bureau of Bewildered Persons Revisited

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Stay tuned for further spots covering who could sell for less, who doesn’t care, who’s too dumb to care, and cares too much.

And, as always, let me know what you think.

Author: Dan Goldstein

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Radio Ad Scripts for the Holidays

Every Holiday Season the Wise Merchants Make Their Way to the Lowly Manger of the Radio Ad Script Writer.

And the wise radio commercial copywriter answers their entreaty by summoning the spirit to craft a new tale out of an age-old story.

Over the next few posts, in that spirit, I’ll bring you some of my summonings.  This first spot is built on another tale, Dickens’ “A Christmas Carol.”

I resurrected Ebeneezer Scrooge to help Stonestown Shopping Center ring in the season.

The obvious inspiration was the promotional tie-in with San Francisco’s ACT production of this Dickens tale.

I was also lucky enough to cast Sydney Walker as Scrooge.  Sydney played Scrooge in ACT’s production for many years.

Ebeneezer will be haunting this blog again soon

“Flick That Switch”

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Author: Dan Goldstein

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Radio Ad Script Nightmare

It seems nobody can catch Tim Dauber in his artful misuse of house paint–except, perhaps, Tim Dauber. Pay particular attention to the word “perhaps.”

This radio ad script‘s title was “Nightmare,”…and it nearly was.

hen I presented this script to my marketing friends at Kelly-Moore Paint Company, they brought it to the Big Guy upstairs, who green-lighted production. (And why wouldn’t he?  Kelly-Moore was more than holding it’s own as the industry was sagging. They attributed their immunity to the slump to Tim’s immunity to K-M.)

When the marketing team brought the finished radio spot back upstairs for final approval before broadcast, the Big Guy decided not to run it because “It sounds like a nightmare.”

Go figure.

He slept on it and, a few days later, decided to air it.

Whew.

This was the last spot of this radio advertising campaign. In future posts I’ll return to my work for Kelly-Moore to show how I built further campaigns on Tim Dauber’s back.

“Nightmare”

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Author: Dan Goldstein

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Radio Ad Script Antihero Under Investigation

As the campaign builds, this radio ad script puts Tim Dauber under closer scrutiny.

Well, maybe wife Claire isn’t quite as oblivious as all that. In this radio commercial she’s hired a P.I. (Paint Investigator) to check Tim’s work.Paint Investigator Radio Ad Script

The radio ad script, “A Spy in the House of Dauber” presented creative and technical challenges for this radio commercial producer.

The timing and distancing of sound effects and dialogue had to be handled with great precision and at the same time creative interpretation to present an understandable, realistic and funny ear picture of goings on behind closed doors and out back windows.

Big fun here to have the audience root for  mispainting malefactor, Tim Dauber, to escape detection and dodge Kelly-Moore Paints again–even as they take in the message of how this paint company offers friendly, expert advice and sells top quality paints at great prices.

 ”A Spy in the House of Dauber”

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Author: Dan Goldstein

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Antihero Hangs On Through Another Radio Commercial Script

In this next radio commercial script, Tim Dauber continues to whitewash wife Claire .    radio commercial script prop

But the neighbors are upset about the neighborhood eyesore that is the Dauber residence.

It was fun to paint a new dimension of Claire’s obliviousness and innocence in this radio commercial script.

And doubly fun to script Tim playing along to sidestep a lynch mob.

“No noose is good noose”

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Author: Dan Goldstein

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Radio Advertising Campaign Antihero Tim Dauber Has Legs

That’s what they say about an advertising concept
that is extendable, expandable, and, hopefully, effective.

It can keep going.writing visual radio spots

Tim Dauber seemed to walk that talk by engaging the listener in his ongoing domestic struggles with wife Claire.

As I was asked to create radio spot after radio spot in this radio advertising campaign, Tim’s backhanded advocacy of Kelly-Moore Paints played out many ways.

Here’s how it went down when Tim’s wife wanted to move out of their mispainted house…
Tim Dauber paints the door shut on moving in
“Realtor”

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Stay tuned to hear me and Tim Dauber keep slapping down this radio advertising campaign and painting more indelible radio spots.

Author: Dan Goldstein

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Tim Dauber vs. Kelly-Moore Paints: Birth of a Radio Advertising Campaign Antihero

A freelance copywriter sneaks in the front door.

tim dauber radio campaign spotsI approached Kelly-Moore directly because they were based in my home town and I thought I could create and produce better radio ad scripts than they were airing.

They had a little jingle tag:
“Kelly-Moore! We help you do it right. We’re the painter’s paint store!”

This was their thrilling conclusion to radio spots in which an announcer simply read off the week’s sale items and their prices. They ran the same list in newspapers. That pretty much tells you how much use they were making of radio as a medium.

They agreed to a meeting, liked me and my samples, and asked me to come up with something better.

There was a benefit or two suggested in their jingle tag, so I questioned them about that and it did turn out their store employees are quite knowledgeable and helpful and many professional painters buy Kelly-Moore.

Their jingle jangled my imagination.

So I kicked around several ideas that might communicate how helpful the folks at K-M are and how good their paint is. But I thought it would be fresher and more attention-getting to not just brag about their staff and products. I wanted to dramatize it.

And this led me to my first campaign based on an ongoing character, Tim Dauber.

Tim Dauber gets to acknowledge K-M’s benefits without being a shill or spokesman.

How?

Tim Dauber’s secret to getting his way in life is to avoid K-M paint stores with their great advice and top quality paints.

When his wife wants her parents to come for a visit, he just keeps on miss-painting the guestroom with his lack of know-how and poor quality paint.

‘Oops, I’m so not sorry.’

He’s got an aptitude for using his painting ineptitude to get out of family vacations, selling the house, and anything else he wants to manipulate.

All he’s got to do is stay away from Kelly-Moore, or he’d have no excuse for the way things always go his way.

Here’s the first radio spot I scripted to set up the premise…


Tim Dauber’s Radio Debut:

“Guestroom”

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You can start to see how this is going to play out as Tim tries his worst to escape an impending family vacation…

Tim Dauber Lays It on Thick:

“A Dauber Family Vacation” 

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So now the campaign got rolling and I had to keep cooking up situations for Tim to cook up a way out of…All while pushing Kelly-Moore’s sound advice and great paint.  BTW, a 5-sceond tag at the end of each spot gave live announcers a chance to plug the paints on sale that week.

Wonder what would happen if Claire wanted to sell the house and Tim didn’t…

Author: Dan Goldstein

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And now, another radio spot you won’t be hearing from Dan Goldstein Copywriting Services…

radio ad script I will never produce

THICKE:        This is Ed Thicke.

DULL:            And Ted Dull.

THICKE:        With a message from the Monolith Brick Company.

DULL:           About strong, hard, rectangular…

THICKE:        Monolith Bricks.

DULL:           Ladies, Monolith Bricks are sturdy and reliable.

THICKE:        And now, with Monolith’s new expanded line of products,
you can get them in your choice of two beautiful designer shapes: Wide or Tall.

DULL:           Ed, I think the tall one is just a wide one standing on end.

SFX:             CLUNK OF BRICK FALLING OVER ON ITS SIDE

THICKE:        So it is.  Well, I guess Monolith doesn’t offer all that much variety.
But aren’t there lots of great cosmetic and housekeeping uses for these hard, lifeless objects, Ted?

DULL:            Could be, Ed.  But we don’t really have to get into all that.

THICKE:        I guess that’s true.  Tell ‘em why, Ted.

DULL:           You see, ladies, the Monolith Brick Company has just placed such an obese media buy
that it hardly matters what we say.

THICKE:        We thought about just bluntly reading our marketing strategy at you—

DULL:            But we don’t even have to do that, let alone capture your imagination or sell you on the benefits,
if there are any, of Monolith Bricks.

THICKE:        No, all we have to do is keep hitting you with these boring brick commercials night and day
till you stagger off and buy some.

DULL:            And don’t even think about switching stations.

THICKE:        No, we’re on every station right now.

DULL:            And will be again every five minutes till we reach our sales goals.

THICKE:        So you see, ladies, it’s sort of a blackmail situation.

DULL:            And it’s truly in your own best interests to think up your own uses for Monolith Bricks.

THICKE:        We know you don’t want to hear from us.

DULL:            And we don’t particularly like to talk to you.

THICKE:        So what it really comes down to is—

DULL:            Buy us or we’ll bore you.

THICKE:        Say, that’d make a sell tagline, Ted.

DULL:           We don’t need one, Ed.

 

brick radio commercial script

Author: Dan Goldstein

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